Frenzy of the Meeting is the latest release from multi award-winning Scottish contemporary folk band Breabach. Building on the ideas and experimentation from their 2016 album Astar, this new work is explorative and creative. Produced in collaboration with Eamon Doorley (Julie Fowlis, Danú) and engineered by Iain Hutchison sees the band take exciting steps towards developing a more expansive sonic landscape.
Alongside traditional songs, contemporary tunes and original compositions from each band member with the material largely themed on todays frenzied experience of global politics, media and the natural world as well as focusing on the positive fevered hive of innovation, creativity and pioneering music within the Glasgow music scene, to where the band belong.
The album comes after two years of hectic global touring post release of Astar. In that time the band picked up ‘Best Folk Band’ and ‘Best Album’ at the MG ALBA Scots Trad Music Awards as well as nominations for ‘Best Group’ at the BBC Radio 2 Folk Awards and ‘European Album of the Year’ in the Songlines Music Awards.
Breabach unite the talents of Megan Henderson (Fiddle, Vocals), James Lindsay (Double Bass, Vocals), Calum MacCrimmon (Bagpipes, Whistle, Bouzouki, Vocals), James Duncan Mackenzie (Bagpipes, Flute, Whistle) and Ewan Robertson (Guitar, Vocals, Cajon). Acknowledging and respecting the origins of both the music they play and the roots of the band whilst embracing the future with new ideas, energy and belief is a key attribute of the band and another theme that is strongly conveyed through this new release.
“As polished as it was passionate, matching fiery intensity with exquisite finesse, this was a magnificent set.” The Scotsman ★★★★★
“Astar sees Breabach in an electrifying new phase – one that illustrates the band’s strength and interest in experimentation. Exhilarating, energetic and accomplished Astar is a rare, beautiful treat.” Songlines ★★★★
“Astar is Scottish for “journey” and this classy travelogue is remarkable for its variety of collaborations” The Guardian ★★★★